It's always such an honor to get to recognize one of the community members whose doing work out there in the real world. Our members have done some amazing things, from designing the titles for Wonder Woman, to launching a kickstarter that made 200,000 in a day. Will's work in "The Long Road Home, a National Geographic mini-series that chronicles the events of April 4th, 2004, when a platoon was ambushed in Sadr City, Baghdad, in an attack that came to be known as "Black Sunday."
Will was one of the assistant art directors for the series. They work with the production designer and art director to create a vision for all the locations and sets, which is saying something considering that the set was the largest working set in America during it's filming. Will and his team's work on this is beyond a shadow of a doubt a massive undertaking that ultimately lead to this series' unique visual identity. I mean, honestly, to get a handle on what kind of set design we're talking about just look at this picture:
Learn more about The Long Road Home.
Will, keep up the good work, brother. You're making us proud.
The call came when I was sitting in the Newark Airport, waiting to board a plane for Reykjavik.